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Poster: samson 76 Date: Jan 10, 2007 1:56am
Forum: GratefulDead Subject: 1973

All hail 1973, there is no better music than that which is performed by the grateful dead in the year of our lord, 19 73. IF anyone disagrees kneel before me and state your claim.

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Poster: SDH2O Date: Jan 10, 2007 2:59am
Forum: GratefulDead Subject: Re: 1973

Not saying I disagree with your opinion, in fact in many cases I will agree with you that there are some absolutely stunning performances in this era, but "get on my knees" before you? Sorry, sir, the connotations of that are disturbing enough that I will be happy to be wrong if need be.

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Poster: ghostofpig Date: Jan 10, 2007 5:37am
Forum: GratefulDead Subject: Re: 1973

1967, 1968, 1969, 1970, 1971, 1972
need I say more. I mean, Pig was gone by 1973. Have you no respect for the Dead.

Seriously, 1973 was a great year for the development of the jazzy--keithed-up space jam, but all too often they tend to meander--galloping one minute, mired the next. Still. They had really perfected the short tunes, and the last true batch of good 'uns were in the rotation. Besides that, Bobby cut his hair and upped the mascara usage.

"She's got box-back nitties/And great big noble thighs/Working undercover with a boar's hog-eye"

Always odd that the Pig man would sing so loud about flat chested women (nitties!)

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Poster: TheGreat_and_Knowledgable Date: Jan 10, 2007 12:23pm
Forum: GratefulDead Subject: Re: 1973

I disagree, 73 is more of a recovery era from the loss

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Poster: stratocaster Date: Jan 10, 2007 1:40pm
Forum: GratefulDead Subject: Re: 1973

1972 and 1974 were actually better years for the Dead...'72 is monstrous as we all know and '74 features the Wall of Sound and all those great shows with more road tested versions of the Wake of the Flood material...don't get me wrong, the best shows of '73 are as good as it gets...

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Poster: grendelschoice Date: Jan 10, 2007 2:22pm
Forum: GratefulDead Subject: Re: 1973

'73 is grand. '72 was brilliant and '74 was magic.

And yet none of them hold a candle to 1977.

(oh, no, not THIS argument again ;-)

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Poster: stratocaster Date: Jan 10, 2007 2:31pm
Forum: GratefulDead Subject: Re: 1973

imagine if they had used the wall of sound during 1977...

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Poster: grendelschoice Date: Jan 10, 2007 2:37pm
Forum: GratefulDead Subject: Re: 1973

Oh, man....I think me head would melt and/or explode from nirvanic aural joy.

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Poster: deadmax Date: Jan 10, 2007 5:06am
Forum: GratefulDead Subject: Re: 1973

Love that 73.

Only bad thing?

No Brent.

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Poster: Old_NJ_Head_Zimmer Date: Jan 10, 2007 3:09pm
Forum: GratefulDead Subject: Re: 1973

I know it's only one man's opinion (actually 2 - since I agree, well I guess 3 since Samson76 agrees as well) - but here are some of Dick Latvala's notes on 1973

Read more Here:

Dick Latvala - 01:55pm Jul 5, 1997 PDT (#302 of 327)

Hi, my fellow compulsive and insatiable tape/music junkies. I was
promising to get together my analysis of the most prolific and
exciting year in G.D. history, which is clearly 1973, where their
jamming around and within the songs themselves, was at some
kind of peak level of intensity that I don't think was ever equaled.
So, I have been putting this together for at least 2-3 weeks, since I
didn't want to say something that wasn't carefully researched it
took me some time! My next post will have this analysis in detail.

Dick Latvala - 03:07pm Jul 5, 1997 PDT (#303 of 327)

This being the best year of all-time, as far as uniqueness and
jamming and variety are concerned, I must say that this is a very
brief over-all attempt at putting some kind of order to the
immensity of brilliance delivered during this year. Also, this is to
be considered a work in progress please, and NOT anything
resembling a final say on my part. Besides, there are quite a few
shows that I need to hear again before I can consider this to be
competent. With all these reserve clauses intact, here we go:

1) 2/15/73- Madison, Wisconsin This has to be one of the top 10
shows of the year. The first set features an up-tempo version of
"Row Jimmy" that will knock you out. "China Cat->Rider" and
"Bertha" are also worth going with. The highlight is easily, as
though any of you can't guess, is "Playing in the Band". So, we
give this first set a VG rating, if not VG plus. The second set
starts off in a stunning manner, with one of the better versions of
"Here Comes Sunshine".(I really do not believe that any version
has even approached #1-12/19/73 or #2- 11/30/73) Not much is
happening until the "Dark Star" jam. Well this is superb, and so is
the "Eyes of the World" that follows. I am pretty much of the
opinion that the best versions of this monstrous medley that starts
with "Dark Star" and usually concludes with "Morning Dew", (but
as is the case here, went to "Eyes->China Doll") are the following:
2/22/73; 6/24/73; 9/11/73; 10/19/73; 10/25/73; 10/30/73; 11/11/73
and 12/18/73. Anyway, a thrilling version of "Sugar Magnolia"
and a pretty damn decent two-tune encore concludes this excellent
show, which is not in the vault, by the way!!

2) 2/21&22/73- Urbana, Il. I am pretty sure that this series will
definitely be a release when it's time comes around. The second
sets from both nights are fucking fantastic!!! It simply doen't get
any better or anywhere close, for that matter, until 9/8/73.

3) Whoops! I almost forgot something very special: 2/19/73-
Chicago ( excerpt) I have only found a cassette of Bear's that had
a very stunning, if not shocking, jam that goes: He's Gone->
Truckin'->jam->The Other One-> Eyes of the World-> China
Doll that simply has to be heard to be understood how good things
can get!!!

4) 2/26/73- Lincoln, Nebraska I am not in the "fold" of those that
place a whole lot of value on this show. I do believe some of the
best versions I've ever heard of "Tennessee Jed" and "Greatest
Story Ever Told" occur here though. The "Eyes of the World" is
definitely one of the major highlights of a show that I would not
think of in the first group of 10-15 shows from 1973.

5) Another WHOOPS! 2/24/73- Iowa City, Iowa We are missing
reel #5, but reel #6 starts off with one of the most exciting jams,
that includes a monstrous "bass solo" and following jam that has
that great style of transiting from "China Cat Sunflower" into "I
Know You Rider" that made the versions from late 1973 and most
of1974 so delicioius. I will never understand how they were able
to forget or just abandon that transition theme. This theme is a
magical thing that has eluded me from pinning it down for a very
long time. This theme gets into that question about "Tighten Up"
by Archie Drell And the Bells or is it the other way around?
Anyway, that whole thing needs to be thought out by me and any
one else that cares and we should let everyone know what we have
discovered. Hell, for all I know, you guys have already got that
one put in context!

6) I really don't have a thing on much till the end of March
period. There are some superb jams on 3/24/73 and 3/31/73. The
Philly night also has a very cool version of "China Cat->Rider"
and one of the all time greatest versions of "Sing Me Back Home",
and I should mention that the version of "Johnny B. Goode" on
this night(3/24/73) The version of "Eyes of the World" from
4/2/73- Boston is one of the best, as are versions of "Greatest
Story Ever Told", "Big River", "China Cat->Rider" and "Playing
in the Band". But the highlight has to be the JAM segment
following "Here Comes Sunshine".

7) The May and June stadium shows were not that impressive for
me, generally speaking of course. I know there are tremendous
moments here and there but I really don't consider the summer
shows to be in the same class or category, or universe for that
matter, as the October through December run of masterpieces.

8) 6/24/73- Portland, Or. This is not well known I believe, but it
contains one of the most exciting segments of G.D. music that I
have ever witnessed. The "Dark Star->jam->drum solo->jam-
>Dark Star->jam->Eyes of the World->China Doll" is worth
finding. Also I should say something about the show in
Vancouver on 6/22/73. The only part really interesting is the jams
that surround "The Other One" and what is between them of

8) That takes us up to the September run. (we really do not need
to get into the soundcheck dealy right!!) Well right away 9/8/73
sticks out begging for attention. Even the night before (9/7/73)
had fairly thrilling versions of TLEO, Jack Straw, PITB, WRS-
>Let it Grow.There is not a weak moment from "Truckin' "
through the ending tune "Sugar Magnolia". Even as good as this
night must sound, the following night things really explode. I
really can't put my finger on it because from the songlist, there is
nothing apparently compelling. Well, you guys will soon find out
what I mean, since I intend to release this one whenever the time
is right.

9) The 9/11/73-Williamsburg, Va. show is another favorite of
mine. Well actually it isn't a favorite in the sense of the whole
show, but it certainly has one of the finest examples of the famous
medley "Dark Star->Morning Dew". (which, BTW, I find the
9/10/74- Alexandra Palace to be one of the highest of the high
versions!!!) For the remainder of this month, I will have to pass
on since I have never been able to get passed the horns.

10) I guess we can say with confidence that things take on new
meanings on 10/19/73 in Oklahoma. This could easily have been
the first of the DP series, except for the absolute awesomeness of
"Here Comes Sunshine" on 12/19 /73. This has to be yet another
example of the "top version ever", of "Dark Star->Morning
Dew"!!! (and the jam within this incredible medley, of course!)
There is another excellent version of "Eyes of the World" that
goes into "Stella Blue" as the first encore!

11) Now we get to one of the all-time, out-of-this-world kind of
shows: 10/25/73. I really can't say enough about this one! The first
set is very good, but itis the second set that does you in. The
"China Cat->Rider" is one of the better ones from that era when
they used that transition material that people call "Tighten Up"
and other names, and I am just as confused about this as the next
guy. So a detailed discussion about that wonderful "jam"
occurring towards the ends of some "Dark Stars" from 1969 and
1970, (and which is stated as beautifully as I could ever hope to
hear on 4/8/72- Wembley) and which also could be occasionally
intimated during some versions of "Dancing in the Streets", that
kind of discussion is something that I would like to learn more
from some of you guys who have been investigating this. But not
right now, since I need to finish gushing all over this Madison
show. The "Dark Star->Eyes->Stella Blue" is where the action is!
There are "jams" surrounding these songs that contain some very,
very scary and unbelievable playing. A bass sound that Phil
employs here will pretty much have you seriously thinking that
this might be too much! Obviously words will never get this
described very well, at least not my words. The "Eyes" is another
one of those "best versions" type of things.

12) The 2 shows at the end of the month in St. Louis,Mo. were
both worthy of a future release with only the second sets. On
10/29/73, there is a pretty long jam that is concerned with "The
Other One" and on 10/30/73 it is "Dark Stars" turn. On each, the
playing is spectacular. The jam from the 10/29 show has simply
outstanding jamming around the songs and the songs themselves
are examples of the "best versions" category, especially "The
Other One", "Wharf Rat", "Sugar Magnolia" and "Casey Jones".
The "Eyes" from the following night is one of the best. The first
sets from both nights are not very interesting. In fact, I would call
them "below average", at best.

13) Although I really like the Winterland 11/11/73 show, I don't
think it is on the same levels as 10/19, 10/25, 10/29&30, 11/17,
11/20 and the second sets from 12/18 and 12/19. I think that
11/11 does have my favorite example of the transition material
being played excitingly between "China Cat" and "I Know You
Rider". (well, I guess a pretty strong case can easily be made for

14) The next example of a stupendous type of show is 11/20/73-
Denver. The playing is solid throughout the evening, but it is in
the second set (as usual!!!) where things really take off, with great
versions of every song from "China Cat->Rider" thru "Stella
Blue". The extra special quality that this show has for me is
expressed in the jamming around the "Other One". Again, it is
long and unique.

15) As for the run at Boston at the end of the month and the
beginning of December, well I would have to say that it is just
that, "a run of shows". What I mean here is that I see using these
3 nights as a 3-4 cd release of the "best of a run" kind of deal. Not
one of the 3 stands out on it's own, but in combo, they will deliver
some of the absolutely finest playing of the year!!!

16) That takes us to the end of the most powerful and fullfilling
year in G.D. history, as far as I am concerned. I've felt this way
for a long time, so I doubt that "new" evidence, or ways of
"looking/listening at it" will produce any substantial change. Not
that I am not open to this possibility!

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Poster: rastamon Date: Jan 10, 2007 3:15pm
Forum: GratefulDead Subject: Re: 1973

Amen! that article is how I picked most of my 1973 shows.

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Poster: tigerbolt Date: Jan 10, 2007 4:50pm
Forum: GratefulDead Subject: Re: 1973

give me 1973 over 1977 everytime man liquid gold music to the brain and soul.the band was all over it in 73.great fuckin year.10-30,11-14,6-30,5-26 etc..great stuff,too bad a lot of heads don't get it.

This post was modified by tigerbolt on 2007-01-11 00:50:12

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Poster: Cliff Hucker Date: Jan 10, 2007 5:53pm
Forum: GratefulDead Subject: Re: 1973

Cliff had to change gears...